Subject: Cuban political satire in Cinema
Alicia en el pueblo de Maravillas, directed by Daniel Díaz Torres, is a sharp example of political satire in Cuban cinema, set in a fictional town where a young theatre instructor uncovers an absurd system governed by surveillance, obedience, and bureaucratic language. Structured as a grotesque fable, the film parodies the mechanisms of socialist power in Cuba, revealing how ideology, fear, and double standards shape everyday life. Through humor, absurdity, and social critique, the film exposes the erosion of political discourse, turning laughter into an act of resistance and critical awareness.
Technical details
Director
Daniel Díaz Torres
Release year
1991
Running time
99 min
Country
Cuba
Cast
Thais Valdés
Reinaldo Miravalles
Alberto Pujol
Carlos Cruz
Raúl Pomares
Alina Rodríguez
Jorge Martínez
Enrique Molina
Enrique Molina
Producer
Productora Internacional ICAIC
Plot
Synopsis
Alicia en el pueblo de Maravillas (1990), directed by Daniel Díaz Torres, is a political satire set in a fictional town where a young theatre instructor uncovers an absurd system governed by surveillance, obedience, and bureaucratic language. Framed as a grotesque fable, the film parodies the structure of Cuban socialist power, showing how ideology, fear, and double standards intertwine in everyday life. Through humor, absurdity, and social critique, the film reveals the deterioration of a political discourse that has lost its meaning, turning laughter into an act of resistance and critical clarity.
Analysis
(content in Spanish)
Discursive analysis
https://amaelespanol.com/alicia-en-el-pueblo-de-maravillas-analisis-discursivo
Linguistic analysis
https://amaelespanol.com/analisis-linguistico-de-alicia-en-el-pueblo-de-maravillas/
Where to watch
https://www.youtube.com/watch?v=J6VJGNxeJUk
Podcast
Keywords
cine cubano, período especial
