Subject: Oneiric inversion, naturalization and gender inequality in Cuban cinema Sueño Tropical articulates its proposal through a oneiric device that systematically inverts gender roles in order to make visible what, in everyday life, appears naturalized. Through the protagonist’s dream, the film displaces onto the male body experiences historically associated with women—domestic subordination, the overload of care… Seguir leyendo Sueño tropical
The analysis of Alicia en el pueblo de Maravillas focuses on the use of satire and absurdity as discursive strategies to question bureaucratic logic and the mechanisms of power that permeate everyday life. Through a film language marked by irony, exaggeration, and repetition, the film stages the normalization of authoritarianism, surveillance, and the emptying of meaning within… Seguir leyendo Analysis of Alicia en el pueblo de Maravillas
This analysis of Mujer Transparente focuses on a film composed of five interconnected narratives that trace women’s experiences in Cuba from the 1970s to the onset of the Special Period. Through a fragmented structure, the film examines the interplay between institutional discourse, intimate life, and female subjectivity. Analysis of Mujer Transparente (Synthetic Reading) The following section develops… Seguir leyendo Analysis of Mujer transparente
